Category Archives: Art

Comedy: what is comedy?

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It’s a mistake, I think, to expect that comedy will be funny; the Devine comedy isn’t, nor are Shakespeare’s comedies. It seems, rather, that comedy is the result of mistakes, fakes, and drunks stumbling along to a (typically) unexpected outcome. That’s sometimes funny, as often not. Our expectation is that mistakes and fools will fail in whatever the try, but that’s hardly ever the outcome in literature. Or in life. As often as not, the idiot ends up as king with the intelligent man working for him. It’s as if God is a comic writer and we are his creation. Perhaps God keeps us around for our amusement value, and drops us when we get stale.

It’s not uncommon to have laughs in a comedy; a Shakespearian comedy has some, as does life. But my sense is that you find more jokes in a tragedy, e.g. Romeo and Juliet, or Julius Caesar. What makes these tragedies, as best I can tell, is the great number of honorable people behaving honorably. Unlike what Aristotle claims, tragedy doesn’t have to deal with particularly great people (Romeo and Juliet aren’t) but they must behave honorably. If Romeo were to say “Oh well, she’s dead, I’ll find another,” it would be a comedy. When the lovers choose honorable death over separation, that’s tragedy.

hell viewed as a layer cake. Here is where suicides end up.

Dante’s hell viewed as a layer cake. The “you” label is where suicides end up; it’s from an anti-suicide blog.

Fortunately for us, in real life most people behave dishonorably most of the time, and the result is usually a happy ending. In literature and plays too, dishonorable behavior usually leads to a happy ending. In literature, I think it’s important for the happy ending to come about semi-naturally with some foreshadowing. God may protect fools, but He keeps to certain patterns, and I think a good comic writer should too. In one of my favorite musicals, the Music Man, the main character, a lovable con man is selling his non-teaching of music in an Iowa town. In the end, he escapes prison because, while the kids can’t play at all, the parents think they sound great. It’s one of the great Ah hah moments, I think. Similarly at the end of Gilbert and Sullivan’s Mikado, it’s not really surprising that the king (Mikado) commutes the death sentence of his son’s friends on the thinnest of presence: he’s the king; those are his son’s friends, and one of them has married a horrible lady who’s been a thorn in the king’s side. Of course he commutes the sentence: he’s got no honor. And everyone lives happily.

Even in the Divine Comedy (Dante), the happy ending (salvation) comes about with a degree of foreshadowing. While you meet a lot of suffering fools in hell and purgatory, it’s not totally unexpected to find some fools and sinners in heaven too. Despite the statement at the entrance of hell, “give up all hope”, you expect and find there is Devine grace. It shows up in a sudden break-out from hell, where a horde of the damned are seen to fly past those in purgatory for being too pious. And you even find foolish sinning at the highest levels of heaven. The (prepared) happy ending is what makes it a good comedy, I imagine.

There is such a thing as a bad comedy, or a tragic-comedy. I suspect that “The merchant of Venice” is not a tragedy at all, but a poorly written, bad comedy. There are fools aplenty in merchant, but too many honorable folks as well. And the happy ending is too improbable: The disguised woman lawyer wins the case. The Jew loses his money and converts, everyone marries, and the missing ships reappear, as if by magic. A tragic-comedy, like Dr Horrible’s sing along blog; is something else. There are fools and mistakes, but not totally unexpected ending is unhappy. It happens in life too, but I prefer it when God writes it otherwise.

It seems to me that the battle of Bunker Hill was one of God’s comedies, or tragic-comedies depending on which side you look. Drunken Colonials build a bad fort on the wrong hill in the middle of the night. Four top British generals agree to attack the worthless fort with their best troops just to show them, and the result is the greatest British loss of life of the Revolutionary war — plus the British in charge of the worthless spit of land. It’s comic, despite the loss of life, and despite that these are not inferior people. There is a happy ending from the American perspective, but none from the British.

I can also imagine happy tragedies: tales where honorable people battle and produce a happy result. It happens rarely in life, and the only literature example I can think of is  1776 (the musical). You see the cream of the colonies, singing, dancing, and battling with each other with honorable commitment. And the result is a happy one, at least from the American perspective.

Robert E. Buxbaum, September 17-24, 2015. I borrowed some ideas here from Nietzsche: Human, All too Human, and Birth of Tragedy, and added some ideas of my own, e.g. re; God. Nietzsche is quite good on the arts, I find, but anti-good on moral issues (That’s my own, little Nietzsche joke, and my general sense). The original Nietzsche is rather hard to read, including insights like: “A joke is an epigram on the death of a feeling.”

For All Fools Day, April 1, 2015

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On this April Fools day I’m reminded of:

Democratic Senator Thomas Hart Benton, of Missouri. Before being elected to the US senate, he had been the lawyer for another Democrat, Andrew Jackson (before he was president). Like most prominent Americans of their day both men liked to settle arguments through by use of gunnery at close range. After Andrew Jackson participated in a duel with Benton’s brother, Benton himself challenged Jackson to a duel (I try to avoid this with my lawyers).

Seantor Thomas Hart Benton

Senator Thomas Hart Benton; his feud with A. Jackson, ended by common hatred of the Federal Reserve Bank

When asked about it later, Benton said, “Yes, sir, I knew him, sir; General Jackson was a very great man, sir. I shot him, sir. Afterward he was of great use to me, sir, in my battle with the United States Bank.” Ain’t that America. You can be shooting enemies one day, best of buddies the next.

In world politics and life this doesn’t happen as regularly as perhaps it should, but it happens. A few years after WWII we were allies with Germany and Italy, but enemies with the USSR. After WWI we were allies with Japan, until we weren’t; now we are again. Some day ISIS and Iran will be friends (won’t Mr A Bomb be sad).

I should also mention, and recommend the most amusing work of philosophy you are ever likely to encounter: St Erasmus of Rotterdam’s panegyric, “In Praise of Folly”. The thesis, if I may summarize: that most people like a fool and some folly; so does God. That most people don’t like long, boring lectures; neither does God. Etc. Good folly is likely to hurt you in a way you don’t mind (e.g. music, drinking, chasing women, reading long boring books if you like them); bad folly hurts others, e.g. when priest lives royally off of charity.

You might imagine that Erasmus would be executed for this but it seems he was not. It seems to me that Erasmus did something even more remarkable and made himself into a saint by claiming that God would not mind if people prayed to him for all good things. Apparently they started to, and got answered. A cheerful answer from a world of fools.

Robert E. Buxbaum, April 1, 2015.

Brass monkey cold

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In case it should ever come up in conversation, only the picture at left shows a brass monkey. The other is a bronze statue of some sort of a primate. A brass monkey is a rack used to stack cannon balls into a face centered pyramid. A cannon crew could fire about once per minute, and an engagement could last 5 hours, so you could hope to go through a lot of cannon balls during an engagement (assuming you survived).

A brass monkey cannonball holder. The classic monkeys were 10 x 10 and made of navy brass.

Small brass monkey. The classic monkey might have 9 x 9 or 10×10 cannon balls on the lower level.

Bronze sculpture of a primate playing with balls -- but look what the balls are sitting on: it's a surreal joke.

Bronze sculpture of a primate playing with balls — but look what the balls are sitting on: it’s a dada art joke.

But brass monkeys typically show up in conversation in terms of it being cold enough to freeze the balls off of a brass monkey, and if you imagine an ornamental statue, you’d never guess how cold could that be. Well, for a cannonball holder, the answer has to do with the thermal expansion of metals. Cannon balls were made of iron and the classic brass monkey was made of brass, an alloy with a much-greater thermal expansion than iron. As the temperature drops, the brass monkey contracts more than the iron balls. When the drop is enough the balls will fall off and roll around.

The thermal expansion coefficient of brass is 18.9 x 10-6/°C while the thermal expansion coefficient of iron is 11.7 x10-6/°C. The difference is 7.2×10-6/°C; this will determine the key temperature. Now consider a large brass monkey, one with 400 x 400 holes on the lower level, 399 x 399 at the second, and so on. Though it doesn’t affect the result, we’ll consider a monkey that holds 12 lb cannon balls, a typical size of 1750 -1830. Each 12 lb ball is 4.4″ in diameter at room temperature, 20°C in those days. At 20°C, this monkey is about 1760″ wide. The balls will fall off when the monkey shrinks more than the balls by about 1/3 of a diameter, 1.5″.

We can calculate ∆T, the temperature change, °C, that is required to lower the width-difference by 1.5″ as follows:

kepler conjecture, brass monkey

-1.5″ = ∆T x 1760″ x 7.2 x10-6

We find that ∆T = -118°C. The temperature where this happens is 118 degrees cooler than 20°C, or -98°C. That’s a temperature that you could, perhaps reach on the South Pole or maybe deepest Russia. It’s not likely to be a problem, especially with a smaller brass monkey.

Robert E. Buxbaum, February 21, 2015 (modified Apr. 28, 2021). Some fun thoughts: Convince yourself that the key temperature is independent of the size of the cannon balls. That is, that I didn’t need to choose 12 pounders. A bit more advanced, what is the equation for the number of balls on any particular base-size monkey. Show that the packing density is no more efficient if the bottom lawyer were an equilateral triangle, and not a square. If you liked this, you might want to know how much wood a woodchuck chucks if a woodchuck could chuck wood, or on the relationship between mustaches and WWII diplomacy.

you are what you eat?

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The simplest understanding of this phrase is that you should eat good, healthy foods to be healthy, and that this will make you healthy in body and mind.

The author of the study published this book against GM foods simultaneously with release of his paper.

The author of this book against unhealthy foods faked his analysis to support the book.

Clearly there is some truth to this. Crazy people look crazy and often eat crazy. Even ‘normal’ people, if they eat too much are likely to become fat, lazy, and sick. There is a socio- economic effect (fat people earn less), and a physiological evidence that gut bacteria affects anxiety and depression (at least in rats). My sense here is at the diet extremes though. There is little, or no evidence to suggest you can make yourself more intelligent (or kind or good) by eating more of the right stuff, or just the right foods in just the right amounts. A better diet can make you look better, but there is a core lie at work when you extend this to imply that the real you is your body, or so tied to your body that a healthy mind can not be found in a sickly body. But most evidence is that the mind is the real you, and (following Socrates) that beautiful minds are found in sickly bodies. I’ve seen few (basically, no) healthy poets, writers, or great artists. Neither are there scientists of note (that I can recall) who lived without smoking, drinking, and any bad habits. Many creative people did drugs. George Orwell smoked cigarette, and died of TB, but wrote well to the end. There is no evidence that bad writing or thinking can be improved by health foods. Stupid is as stupid does, and many healthy people are clearly dolts.

Not that it’s always clear what constitutes good health, or what constitutes good food for health, or what constitutes a good mind. Skinny people may be admired and may earn more, but it is not clear they are healthy. Yule Gibbons, the natural food guru died young of stomach cancer. Adele Davis, another the author of “eat right to be healthy,” died of brain cancer. And Jim Fix, “the running doctor” died young of a heat attack while running. Their health foods may have killed them, and that unhealthy foods, like chocolate and coffee can be good for you. It’s likely a question of balance. While a person will feel better who dresses well, the extreme is probably no good. Very often, a person is drawn after his self-image to be the person he pretends. Show me a man who eats only vegetarian, and I’ll show you someone who sees himself as spiritual, or wants to be seen as spiritual. And that man is likely to be drawn to acting spiritual. Among the vegetarians you find Einstein, George B. Shaw, and Gandhi, people who may have been spiritual from the start, but may have been kept to spirituality from their diets. You also find Hitler: spirituality can take all sorts of forms.

Ward Sullivan in the New Yorker

Ward Sullivan in the New Yorker. People eat, drink, and dress like who they are. And people become like those they eat drink and dress like.

Choice of diet also helps select the people you run into. If you eat vegetarian, you’re likely to associate with other vegetarians, and you will likely behave like them. If you eat Chinese, Greek, or Mexican food, you’re likely to associate with these communities and behave like them. Similarly, an orthodox Jew or Moslem is tied to his community with every dinner and every purchase from the kosher or halal store.

And now we come to the bizarre science of bio-systems. Each person is a complex bio-system, with more non-human DNA than human, and more non-human cells than human. A person has a vast army of bugs on him, and a similarly vast pool of bugs within him. Recent research suggests that what we eat affects this bio-system, and through it our mental state. For whatever the mechanism, show me someone who drinks only 30 year Scotch or 40-year-old French wine, and I’ll show you a food snob. By contrast, show me someone who eats good, cheap food, and drinks good, cheap wine or Scotch (Lauder’s or Dewar’s), and I’ll show you a decent person very much like myself, a clever man who either is a man of the people or who wants to be known as one.”Dis-moi ce que tu manges, je te dirai ce que tu es.” [Tell me what you eat and I will tell you what you are].

Robert E. Buxbaum, February, 2015. My 16-year-old daughter asked me to write on this topic. Perhaps she didn’t know what it meant, or how true I thought it was, or perhaps she liked my challenges of being 16.

Marijuana, paranoia, and creativity

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Many studies have shown that marijuana use and paranoid schizophrenia go together, the effect getting stronger with longer-term and heavy use. There also seems to be a relation between marijuana (pot) and creativity. The Beetles and Stones; Dylan, DuChaps, and Obama: creative musicians painters, poets and politicians, smoked pot. Thus, we can ask what causes what: do crazy, creative folks smoke pot, or does pot-smoking cause normal folks to become crazy and creative, or is there some other relationship. Dope dealers would like you to believe that pot-smoking will make you a creative, sane genius, but this is clearly false advertising. If you were not a great artist, poet, or musician before, you are unlikely to be one after a few puffs of weed.

The Freak Brothers, by Gilbert Shelton. While these boys were not improved by dope, It would be a shame to put the artist in prison for any length of time.

The Freak Brothers, by Gilbert Shelton. What’s the relationship?

When things go together, we apply inductive reasoning. There are four possibilities: A causes B (pot makes you crazy and/or creative), B causes A (crazy folks smoke pot, perhaps as self medication), A and B are caused by a third thing C (in this case, poverty culture, or some genetic mutation). Finally, it’s possible there’s no real relationship but a failure to use statistics right. If we looked at how many golf tournaments were won by people with W last names (Woods, Wilson, Watson) we might be fooled to think it’s a causal relationship. Key science tidbit: correlation does not imply causation.

The most likely option, I suspect is that some of all of the above is going on here: There is an Oxford University study that THC, the main active ingredient in pot, causes some, temporary paranoia, and another study suggests that pot smoking and paranoid insanity may be caused by the same genetics. To this mix I’d like to add another semi-random causative: that heavy metals and other toxins that are sometimes found in marijuana are the main cause of the paranoia — while being harmful to creativity.

marijuana -paranoia

Pot cultivation is easy — that’s why it’s called weed– and cultivation is often illegal, even in countries with large pot use, like Jamaica. As a result, I suspect pot is grown preferentially in places contaminated with heavy metal toxins like vanadium, cadmium, mercury, and lead. No one wants to grow something illegal on their own, good crop-land. Instead it will be grown on toxic brownfields where no one goes. Heavy metals are known to absorb in plants, and are known to have negative psychoactive properties. Inhalation of mercury is known to make you paranoid: mad as a hatter. Thus, while the pot itself may not drive you nuts, it’s possible that heavy metals and other toxins in the pot-soil may. The creativity would have to come from some other source, and would be diminished by smoking bad weed.

I suspect that creativity is largely an in-born, genetic trait that can be improved marginally by education, but I also find that creative people are necessarily people who try new things, go off the beaten path. This, I suspect, is what leads them to pot and other “drug experiments.” You can’t be creative and walk the same, standard path as everyone else. I’d expect, therefore, that in high use countries, like Jamaica, creative success is preferentially found in the few, anti-establishment folks who eschew it.

Robert E. (landslide) Buxbaum, September 4, 2014. The words pot, marijuana, dope, and weed all mean the same but appear in different cultural contexts. To add to the confusion, Jamaicans refer to pot as ganja or skiff, and their version of paranoid schizophrenia is called “ganja psychosis”. I’m not anti-pot, but favor government regulation— perhaps along the lines of beer regulation, or perhaps the stricter regulation of Valium. My most recent essay was on the tension-balance between personal freedom and government control. I was recently elected in Oak Park’s 3rd voting district. My slogan: “A Chicken in every pot, not pot in every chicken”. I won by one vote. For those who are convinced they’ve become really deep, creative types without having to create anything, let me suggest the following cartoon about talent. Also, if pot made you smart, Jamaica would be floating in Einsteins.

American education sucks, how do we succeed?

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Despite my PhD from a top American college, Princeton University, I find I lag ordinary Europeans in languages and history. I can claim to know some math, and a little Latin and a little Greek, but in my case it’s two short friends, Manuel Ramos and Stanos Platsis. It was recently reported that one fourth of college-educated Americans did not know that the earth spun on an axis. With an education system of this sort, how is it that the US has the largest GDP, and nearly the largest per-capita GDP. We have a grosser national product than any European country despite a degree of science ignorance that would be inconceivable there.

Americans hate math.

Americans hate math.

One part of US success is imported talent, of course. We import Nobel lauriate chemists, Russian dancers, German rocket scientists…, but we don’t import that many. The majority of our immigrants are more in the wretched refuse category, and even these appear to do better here in the US than their colleagues that they left behind. Otto von Bismark once joked that, “God protects children, drunks, and the United States of America.” But I’d like to suggest that our success is based on optimism, pronia: a can-do belief in ourselves that our education provides, at least to our more creative citizens.

Most of the great successful businesses of the USA are not started by the A students, it is clear, but by the C students who develop the greatness of the little they know. Consider Colonel Harlen Sanders, founder of Kentucky Fried Chicken. He believed in the greatness of his chicken recipe, and developed to skills to sell it fast. He did not have to know astronomy, whether the earth goes round the sun. It’s an important fact, but only relevant if you can use it, as Sherlock Holmes points out. I suspect that few Europeans could use the knowledge that the earth spins productively, and suspect that the majority of those that might, lack the confidence to do so (I provide some at the end of this essay).

Benjamin Jowett. His students included the heads of 6 colleges and the head of Eaton

Benjamin Jowett, Master of Balliol College, Oxford.

A classic poem about European education describes Benjamin Jowett, shown at right. It goes: “The first come I, my name is Jowett. There is no knowledge, but that I know it. I am master of this college. What I don’t know isn’t knowledge.” Benjamin Jowett was Master of Balliol College, Oxford. By the time he died in 1893, his ex-student pallbearers included the heads of 6 colleges, and the head of Eaton. Most English heads of state and industry were his students directly or second-hand. All left university with a passing knowledge of Greek, Latin, Plato, law, science, theology, classics, math, rhetoric, logic, and grammar. Only people so educated were deemed suited to run banks or manage backward nations like India or Rhodesia. It worked for a while but showed its limitations, e.g. in the Boer Wars.

In France and continental Europe, the education system is similar, to this day ,to England’s under Jowett. There is a fixed set of knowledge and a fixed rate to learn it. Government and industry jobs go largely to those who’ve demonstrated their ability to give the fixed, correct answers to tests on this knowledge. In schools across France, the same page is turned virtually simultaneously in the every school– no student is left behind, but none jump ahead either or deviate. As new knowledge is integrated, the approved text books are updated and the correct answers are adjusted. Until then, the answers in the book are God’s truth, and those who master it can comfort themselves to have mastered the truth. The European system appears to benefit the many, providing useful skills (and useless tidbits) but it is oppressive to others with forward-thinking, imaginative minds, or who see a new truth a year before the test acknowledges it. College, it is said, “..is a place where pebbles are polished but diamonds are dimmed.” The system work well in areas that barely change like French grammar, geometry, law, and the map of Europe. It does not work so well in music, computers, or the art of war. For creative students, bright or otherwise, schooling is “another brick in the wall.” These students need learning in ‘how to get along without a teacher.’

The American approach leans, or perhaps leaned, towards independence of thought, for good or bad. American graduates can live without the teacher, but leave school knowing no language but English, knowing hardly and maths or science, and hardly any grammar. We can hardly find another country on a map, and often can’t find our own. Teachers will take incorrect answers as correct as a way to build self-esteem, so students leave with the view that there is no such thing as truth. Strangely, this model works, at least in music, engineering, and science where change is fast, creativity is king, and nature itself is a teacher. American graduate-schools are preeminent in these areas. In reading, history and math our graduates might well be described as galumphing ignorants.

Every now and again the US tries to Europeanize education. The “no child left behind” movement was a Republican-led effort to teach on the French model, at least in reading and math. It never caught on. Drugs are a popular approach to making American students less obstreperous, but they work only temporarily. Americans leave school ignorant, but not stupid; respectful of those who can do things, and suspicious of those with lengthy degrees. Without Latin, we do OK as managers of the most complex operations, relying on bumptious optimism and distain for hierarchy.

In any moment of decision, the best thing you can do is the right thing, the next bet thing is the wrong thing, and the worst thing you can do is nothing. An American attitude that sometimes blows up, but works surprisingly well at times.

Often the inability to act is worse than acting wrong.

The American-educated boss will do some damage by his ignorance but it is no more than  comes from group-think: non-truths passed as truths. America stopped burning witches far sooner than Europe, and never burned Jews. America dropped nobles quicker, and transitioned to electric lights and motor cars quicker, perhaps because we put less weight on what nobles and universities did. When dealing Europeans, we greet them in a loud, cheerful voice, appoint a subordinate to “get things done,” and get in the way until lunchtime. The Europeans are suitably appalled, both by the crassness and by the random energy.

European scholars accepted that nobility gives one a handle on leadership. This belief held back the talented, non-noble. Since religion was part of education, they accepted that state should have an established religion, Anglican, in England, Catholicism in France; scientific atheism now. They learned from the state, and accepted, that divorce was unnecessary, that homosexuality should be punished by prison or worse, In the early 60s, Turing, a brilliant mathematician and computer scientist, was chemically castrated as a way to cure his homosexuality. In America our “Yankee ingenuity,” as we call it, screwed up too, but in ways like prohibition, McCarthyism, and disco. Such screwups resolved themselves relatively fast. “Ready, fire, aim” is a European description of the American method to any problem. It’s not great, but works better than “steady as she goes.”

The best option, it seems, is when we work together with those “across the pond.” It worked well for us in WWI, WWII, and the American Revolution, benefitting from Lafayette, Baron Von Steuben, Kosciusko, etc. Heading into the world cup of football (fifa soccer) this week, we’re expected to lose badly due to our lack of talent and our general inability to pass, dribble, or strategize. Still, we’ve got enthusiasm, and we’ve got a German coach. The world’s bookies give us 0.05% odds, but our chances are 10 times that, I’d say: 5%. God protects our galumphing corn-fed ignorants when, as in the Revolution, it’s attached to European coaching.

Some businesses where it helps to know the earth spins: rocketry (military and exploratory), communication via geosynchronous satellites (they only work because the earth spins), weather prediction (the spin of hurricanes is because the earth spins), cyclone lifting. It amazes me that people ever thought everything went around the earth, by the way; Mercury and Venus never appear overhead. If authorities could have been so wrong about this for so long, what might they be wrong about today?

Dr. Robert Buxbaum, June 10, 2014 I’ve also written about ADHD on Lincoln’s Gettysburg Address, on Theodore Roosevelt, and how he survived a gun shot.

Dada, or it’s hard to look cool sucking on a carrot.

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When it’s done right, Dada art is cool. It’s not confusing or preachy; it’s not out there, or sloppy; just cool. And today I found the most wonderful Dada piece: “Attention”, by Gabriel -Belladonna, shown below from “deviant art” (sorry about the water-mark).

At first glance it’s an advertisement against smoking, drinking, and eating sweets. The smoker has blackened lungs, the drinker has an enlarged liver, and the eater of sweets a diseased stomach. But something here isn’t right; the sinners are happy and young. These things are clearly bad for you but they’re enjoyable too and “cool” — Smoking is a lot cooler than sucking on a carrot.

Dada at it's best: Attention by Mio Belladonna. The sinners are happy.

Dada at it’s best: “Attention” by Dadaist Gabriel (Mio) Belladonna, 2012; image from deviant art. If I were to choose the title it would be “But it’s hard to look cool sucking on a carrot.”

At its best, Dada turns advertising and art on its head; it uses the imagery of advertising to show the shallowness of that, clearly slanted medium, or uses art-museum settings to show the narrow definition of what we’ve come to call “art”. In the above you see the balance of life- reality and the mind control of advertising.

Marcel Duchamp's fountain and "Manikken Pis" Similar idea, Manikken is better executed, IMHO.

Marcel Duchamp’s fountain and “Manikken Pis.”

Any mention of dada should also, I suppose, mention Duchamp’s fountain (at right, signed fancifully by R. Mutt). In 2004, fountain was voted “the most influential artwork of the 20th century” by a panel of artists and art historians. The basic idea was to show the slight difference between art and not-art (to be something, there has to be a non-something, as in this joke). Beyond this, the idea would be that same as for the Manikken Pis sculpture in Brussels. Duchamp’s was done with a lot less work — just by signing a “found object.” He submitted the work for exhibition in 1917, but it was rejected as not being art — proving, I guess, the point. Fountain is related to man: his life, needs, and vain ambitions; it’s sort-of beautiful, so why ain’t it art? (It has something to do with skill, I’d say.)

Duchamp designed two major surrealist exhibitions — a similar approach, but surrealism typically employs more skill and humor than Dada, with less shock. Below is another famous work of dada, Oppenheim’s fur-lined tea-cup (Breakfast in fur — see it at the Modern Museum in NYC) compared to a wonderful (and in my mind similar) surreal work, “Ruby lips” by Dali. Oppenheim made the tea-cup and spoon disgusting by making it out of a richer material, fur. That’s really cool, and sort-of shocking, even today.

Duchap's tea cup (left), and Dali's ruby lips (right). Similar ideas treated as Dada or Surreal.

Meret Oppenheim’s fur tea-cup (Breakfast in fur) and Dali’s ruby lips; the same idea (I think); dada vs surreal.

Dali’s “ruby libs” brooch took more skill than gluing fur to a cup and spoon; that adds to the humor, I’d say, but took from the shock. It’s made from real rubies and pearls: hard materials for something that should be soft; it’s sort of disgusting this way, and the message is more or less the same as Oppenheim’s, I’d say, but the message gets a little lost in the literal joke (pearly teeth, ruby lips…). I could imagine someone wearing Dali’s brooch, but no one would use the fur-lined cup. 

There is a lot of bad dada, too unfortunately, and it tends to be awful: incomprehensible, trite, or advertising. An unfortunate tendency is to collect some found pieces of garbage, and set it out in an attempt to scandalize the art world, or put down “the man” for his closed mindset. But that’s fountain, and it’s been done. A key way to tell if it’s good dada — is it cool; is it something that makes you say “Wow.” Christo’s surrounded islands certainly have the wow-cool factor, IMHO. 

Christo's wrapped Islands. Islands near Miami Beach wrapped in pink (fuscha) plastic.

Christo’s surrounded Islands: Islands near Miami Beach wrapped in pink (fuchsia) plastic.

A nice thing about Christo is that he takes it down 2 weeks or so after he makes the sculptures. Thus, the wow factor of his work never has a chance to go stale. Sorry to say, most dada stays around. Duchamp’s “fountain” sits in a museum and has grown stale, at least to me and Duchamp. What was scandalous and shocking in 1917 is passé and boring in 2014. The decline in shock is somewhat less for “breakfast in fur,” I think because the work is better crafted, a benefit I see in “Attention” too; skill matters.

Paris Street art. I don't know the artist, but it's cool.

Paris Street art; it’s just cool.

At the height of his success, Duchamp left art for 30 years and played chess. He became a chess grand master (life is as strange as art) and played for France in international tournaments. He later came back to art and did one, last, final piece, a very fine one, seen only through a peephole. Here’s some further thoughts on good vs bad modern art, and on surrealism, and on the aesthetic of strength in engineering: what materials to use; how strong should it be, and on architecture humor. 

Robert E. Buxbaum. April 4-7, 2014. Here is a link to my attempt at good Dada: Kilroy with eyes that follow you, and at right some Paris street art that I consider good dada too. As far as what the word “dada” means, I translate it as “cool,” “wow,” “gnarly,” or “go go.” It’s dada, man, y’ dig?

Be Art

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You are your own sculpture; Be art.

Here I am wearing a sculpture I made, called Gilroy. The Idea is based on the drawings of Kilroy made during WW2, but to make things spookier the eyes follow you as shown in this video. I suspect that the original drawings were made to discredit the Nazi’s by undermining the sense that they brought order and were the inevitable power in the area.

Feb. 2013 – March, 2015

Nerves are tensegrity structures and grow when pulled

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No one quite knows how nerve cells learn stuff. It is incorrectly thought that you can not get new nerves in the brain, nor that you can get brain cells to grow out further, but people have made new nerve cells, and when I was a professor at Michigan State, a Physiology colleague and I got brain and sensory nerves to grow out axons by pulling on them without the use of drugs.

I had just moved to Michigan State as a fresh PhD (Princeton) as an assistant professor of chemical engineering. Steve Heidemann was a few years ahead of me, a Physiology professor PhD from Princeton. We were both new Yorkers. He had been studying nerve structure, and wondered about how the growth cone makes nerves grow out axons (the axon is the long, stringy part of the nerve). A thought was that nerves were structured as Snelson-Fuller tensegrity structures, but it was not obvious how that would relate to growth or anything else. A Snelson-Fuller structure is shown below the structure stands erect not by compression, as in a pyramid or igloo, but rather because tension in the wires helps lift the metal pipes, and puts them in compression. The nerve cell, shown further below is similar with actin-protein as the outer, tensed skin, and a microtubule-protein core as the compress pipes. 

A Snelson-Fuller tensegrity sculpture in the graduate college courtyard at Princeton, where Steve and I got our PhDs

A Snelson-Fuller tensegrity sculpture in the graduate college courtyard at Princeton, an inspiration for our work.

Biothermodynamics was pretty basic 30 years ago (It still is today), and it was incorrectly thought that objects were more stable when put in compression. It didn’t take too much thermodynamics on my part to show otherwise, and so I started a part-time career in cell physiology. Consider first how mechanical force should affect the Gibbs free energy, G, of assembled microtubules. For any process at constant temperature and pressure, ∆G = work. If force is applied we expect some elastic work will be put into the assembled Mts in an amount  ∫f dz, where f is the force at every compression, and ∫dz is the integral of the distance traveled. Assuming a small force, or a constant spring, f = kz with k as the spring constant. Integrating the above, ∆G = ∫kz dz = kz2; ∆G is always positive whether z is positive or negative, that is the microtubule is most stable with no force, and is made less stable by any force, tension or compression. 

A cell showing what appears to be tensegrity. The microtubules in green surrounded by actin in red. If the actin is under tension the microtubules are in compression. From here.

A cell showing what appears to be tensegrity. The microtubules (green) surrounded by actin (red). In nerves Heidemann and I showed actin is in tension the microtubules in compression.

Assuming that microtubules in the nerve- axon are generally in compression as in the Snelson-Fuller structure, then pulling on the axon could potentially reduce the compression. Normally, this is done by a growth cone, we posited, but we could also do it by pulling. In either case, a decrease in the compression of the assembled microtubules should favor microtubule assembly.

To calculate the rates, I used absolute rate theory, something I’d learned from Dr. Mortimer Kostin, a most-excellent thermodynamics professor. I assumed that the free energy of the monomer was unaffected by force, and that the microtubules were in pseudo- equilibrium with the monomer. Growth rates were predicted to be proportional to the decrease in G, and the prediction matched experimental data. 

Our few efforts to cure nerve disease by pulling did not produce immediate results; it turns out to by hard to pull on nerves in the body. Still, we gained some publicity, and a variety of people seem to have found scientific and/or philosophical inspiration in this sort of tensegrity model for nerve growth. I particularly like this review article by Don Ingber in Scientific American. A little more out there is this view of consciousness life and the fate of the universe (where I got the cell picture). In general, tensegrity structures are more tough and flexible than normal construction. A tensegrity structure will bend easily, but rarely break. It seems likely that your body is held together this way, and because of this you can carry heavy things, and still move with flexibility. It also seems likely that bones are structured this way; as with nerves; they are reasonably flexible, and can be made to grow by pulling.

Now that I think about it, we should have done more theoretical or experimental work in this direction. I imagine that  pulling on the nerve also affects the stability of the actin network by affecting the chain configuration entropy. This might slow actin assembly, or perhaps not. It might have been worthwhile to look at new ways to pull, or at bone growth. In our in-vivo work we used an external magnetic field to pull. We might have looked at NASA funding too, since it’s been observed that astronauts grow in outer space by a solid inch or two, and their bodies deteriorate. Presumably, the lack of gravity causes the calcite in the bones to grow, making a person less of a tensegrity structure. The muscle must grow too, just to keep up, but I don’t have a theory for muscle.

Robert Buxbaum, February 2, 2014. Vaguely related to this, I’ve written about architecture, art, and mechanical design.

Lincoln’s Gettysburg address, not as bad as first thought.

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Three score days ago, The Harrisburg Patriot & Union retracted its unflattering 1863 review of Lincoln’s Gettysburg address. But this retraction deserves more attention, I think, than that the editors reconsidered. The Patriot & Union was a Republican journal; it carried an accurate account of the speech, and so it’s worthwhile to ask why its editors labeled this great speech, “silly remarks”, deserving “a veil of oblivion”; “without sense.” Clearly the editors saw a serious lack that we do not see today. It’s worth asking then, what made them think it was silly and lacking in sense?

The Union & Patriot has retracted their review of this 1863 speech.

Lincoln in 1863; The Union & Patriot has retracted their review of this Gettysburg speech — in the fullness of time, they’ve come to reconsider their original review.

Lincoln spoke a few words in honor of the dead, but Edward Everett spoke on this topic for two hours before Lincoln rose. This lack does not appear to be what bothered the editors: “To say of Mr. Everett’s oration that it rose to the height which the occasion demanded, or to say of the President’s remarks that they fell below our expectations, would be alike false. Neither the orator nor the jester surprised or deceived us. Whatever may be Mr. Everett’s failings he does not lack sense – whatever may be the President’s virtues, he does not possess sense. Mr. Everett failed as an orator, because the occasion was a mockery, and he knew it, and the President succeeded, because he acted naturally, without sense and without constraint, in a panorama which was gotten up more for his benefit and the benefit of his party than for the glory of the nation and the honor of the dead.” The editors came to Gettysburg (I think) to hear Lincoln to hear things that only LIncoln could provide — his real thoughts on slavery and an update on his efforts at peace. As best I can tell, it was in these areas that they saw “a veil of oblivion.” Even so, for them to call this address, “silly remarks” there must be more going on. Here are my thoughts.

Lincoln had freed southern slaves a few months earlier by the emancipation proclamation, but no one knew their status; there had been a riot over this a few days previous. Did Lincoln claim equality for these ex-slaves, and if not, what were his thoughts on the extent of their in-equality. They were confiscated as war booty; would Lincoln return them to their owners after the war was over? If so, they were not free at all. Along with this, what was Lincoln doing to end the war? It was far from clear that the North could win in 1863. Lee had many victories, and now England had entered in support of the Confederacy. In my opinion, it was Ericsson’s Monitors that allowed the North to stop the British and win, but it appears that, in 1863, only the British navy realized that their power had been neutralized, and the south was lost.

By 1863 Ericsson was turning out two of these Monitor-type sips per month, enough to keep the British from any major port in America

The North’s Monitor, right, fights the Confederate Merrimac, left, to a draw over control of Norfolk harbor. Ericsson turned out two Monitor ships per month. In my opinion is was these ships that stopped the British and won the war.

Lincoln was cryptically brief when it came to slavery or peace: 271 words. About half the speech is devoted to the brave men who struggled here; the other half speaks of “the Nation,” or the “government.” Not the United States, the Union, the North, the South, but an undefined entity that Lincoln claims came into existence 70 years earlier, in 1776. Most educated people would have said that 1776 created no nation or government, only a confederation of independent states as described by the articles of confederation. Under these articles, these 13 states could only act by consensus and had the right to leave at will. To the extent that anyone held the South was bound now, it was because of the Constitution, signed ten years later, but Lincoln does not mention the Constitution at all– perhaps because most Democrats, understood the Constitution to allow departure. Also, to the extent the Constitution mentions slavery, it’s not to promote equality, but to give each slave 3/5 the vote-power of a free man. If “created equal” is to come from anywhere, it’s the Declaration, but most people understood the intent of the Declaration differently from the vision Lincoln now presented.

As far as most people understood it, The Declaration claimed the God-given right to separate from England and gain us a measure of self-rule — something that the South now claimed for itself, but Lincoln opposed. Further, we claimed in The Declaration, that British mis-management made the separation necessary, and listed the abhorrent offenses including suspension of habeas corpus, and the confiscation of property without process of law — things Lincoln was doing even now. Even the introductory phrase, created equal, was not understood to imply that everyone was equal. Rather, as Stephen Douglass pointed out in their 1858 Chicago debate, we’d created a nation “by the white man, for the benefit of the white man, to be administered by white men, in such a manner as they should determine.”

Ulysses Grant had a slave who he freed in 1859, and had control of his wife's slaves, who became free only in 1865. Lee's slaves were freed in 1862.

Ulysses Grant had a slave he freed in 1859; his wife held slaves till 1865. Lee freed his in 1862.

Where was Lincoln coming from? What was he saying that November day? It’s been speculated that Lincoln was proposing a secular religion of administered freedom. There appears to be some legitimacy here, but more I suspect Lincoln was referring to the UNANIMITY requirement behind the Declaration — by agreement all the states had to agree to independence, or we would all stay bound to Britain. If we had to unanimously bind ourselves, we must have unanimously bound ourselves to some shared vision of the union or democracy, -presumably that all were created equal. Five years earlier, William Herndon, Lincoln’s law partner, had given Lincoln a book of the sermons of Theodore Parker, a Boston Unitarian. That volume includes the following section marked by Lincoln in reference to what the unanimous binding entailed: “‘Democracy is direct self-government, over all the people, for all the people, by all the people.” Whether Lincoln was now speaking in direct reference to this line, or more-likely, as I suspect, to a more general refutation of the claims of Southern separation and Douglas’s 1858 white man claim, Lincoln’s sense of the import of the Declaration was one that few understood or agreed with. The North still had slaves — Grant’s wife for example, and there was no obvious desire for a new birth of freedom, just an end to the war. Lincoln’s words thus must have sounded like gobbledygook to the majority of learned ears.

Based on the events and issues of the time, and the un-obvious point of the speech, I’d say the editors were justified in their ill review. Further, the issues that bothered them then, abuse of power, citizen and states’ rights, remain as relevant today as ever. Do the current editors see any import of the 9th and 10th amendment limiting the power of federal government? If so, what. Thus, I’m a bit disappointed that the Union & Patriot retracted its review of Lincoln’s short speech with nothing more than claiming to see things differently today. We stand on LIncoln’s shoulders now, and though we see the nation, and the Declaration, through his eyes, their issues remain, and the original review gives perspective on the nation as it looked at a very different time. Thus, while I understand the editors desire to look correct in retrospect, I’d prefer if the current editors would have left the review, or at least addressed the points that bothered their earlier colleagues. It’s a needed discussion. When every person thinks alike, nobody thinks very much.

January 6, 2014 by Robert E. Buxbaum, a doctor of Philosophy (in Chemical Engineering). Here is a translation of the Address into Jive. And into yeshivish. I’ve also written an essay on a previous retraction (regarding GM food). If Lincoln had a such a long address, how did he ever get mail?